The film is divided into two distinct stories with the same setting: the back-stage of the Moscow Operetta theater with the Can-Can metaphor which is a high-energy and physically demanding dance. Human relationships, betrayals, and the relationship between parents and children are the same common denominator found in the two parts of the film.
Yelena Zajtseva
Pavel Ivanov
Yana Ivanova
Dmitriy Kalyazin
Aleksandra Kimaeva
